Ira performed in many new operas and shows at The new York Shakespeare festival, judson poets Theatre, playwrights Horizons and other off-Broadway venues, as well as in various cabarets where he did a one-man show featuring spoofs of opera. This led to an interest in blending opera with comedy. In 1981 he founded la gran Scena Opera., and the troupe became an instant hit, their musically skilled, hilarious-but-affectionate spoofs of opera divas winning great acclaim from the press, public and music world. Gran Scena toured internationally through 2002 to many of the worlds great opera houses and festivals: Lincoln Center, kennedy center, Edinburgh Festival, venice festival, munich Festival, covent Garden Festival, and, literally, countless others in the. S., Great Britain, europe, south America and Australia. Ira continued to perform as Gran Scenas prima donna, madame vera, in a solo spin-off of Gran Scena, entitled The Annual Farewell Recital, through 2009.
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C., Chicago, and Boston and the national Museum of Women in lowering the Arts, as well as for the opera companies of seattle, houston, baltimore, and Washington,. He was a frequent contributor to the npr program. At the Opera, and was the host of wnycs overnight Music in, which included the weekly show. El Salón, focusing on Hispanic issues in classical music. Will has worked at the metropolitan Opera since 2006 as a writer, producer, and on-air commentator with host Margaret Juntwait, for the live, weeknight broadcasts on Met Opera radio. He is also a writer and producer for the metropolitan Operas famed quiz, heard as part of its live, international Saturday broadcasts. His recent articles have appeared in the publications of the opera companies of seattle, washington. C., and Barcelonas Theatre de liceu. He lives in New Yorks East Village with Stephen Miller, his partner of 14 years. Ira siffIra siff is a native new Yorker who grew up on the standing room line thesis at the old Met worshipping the great singers of the time and, of course, listening to the met broadcasts. While acquiring a degree in visual arts at cooper Union, his avid interest in opera led to voice lessons and musical studies, and a debut as a tenor in 1970.
And Europe, he earned degrees in Latin and Italian Literature at University of California at Santa Cruz. During college, he got his first taste working in the xmas opera world at the san Francisco Opera in various capacities, including merchandising and translating for artists who didnt speak english. In 1984, will moved to new York, worked in architecture/design, taught Romance languages at Baruch College and became a constant presence in audience of the metropolitan Opera. He cant remember a time when he didnt write; he has published on a variety of subjects, including architecture, religion and sports. Will is the author of several books on opera, including. Wagner Without fear, verdi with a vengeance, and, puccini without Excuses, (Vintage books and the tribute Chris de blasio. Loss Within Loss: Artists in the Age of aids (University of Minnesota Press). He is a frequent lecturer/speaker on opera at a variety of venues, including the Embassy of Finland, the Italian Cultural Institute (New York the Smithsonian Institute, the wagner Society of America (New York, washington.
All that led her to study music theory because she just wanted to understand how music fits together. While she was at the eastman School of Music friendship earning. In music theory, she started working in radio. . Throughout her 25 years in the music industry from a record company to an online music magazine, from researching to writing the glue of radio kept pulling her back. . In 2006 when the metropolitan Opera was looking for a new Senior Radio producer, she joined the team that brought live radio broadcasts to siriusXM. . After nine seasons working behind the scenes, she took over as host at the start of the 2015/16 season. Mary jo lives in the suburbs of New York city with her husband and tries not to text her daughter (who is away at college) too much. William Berger William Berger grew up in Los Angeles in a bilingual (Spanish and English) and multicultural (Mexican, Italian, and Jewish) home where everyone listened to opera and had strong opinions about. After spending time during his teen years in various places around the.
The artistic director mikko franck, who conducted the performances, even stated that this is his favou read more The queen of Cornwall, boughton (CD) When the general opinion was that Wagner had already made a tolerably good opera out of the Tristan and Isolde legend. Read more The minotaur—Birtwistle (DVD) Only months after its acclaimed inaugural run at covent Garden, harrison Birtwistles opera is now available on dvd. Read more The turn of the Screw The last time i encountered the work of the south African-born director Alessandro talevi and the set and costume designer Madeleine boyd was at last summers Buxton Festival. Read more jonas kaufmann: Verismo Arias In his third solo cd for Decca, a brave, dedicated and altogether arresting piece of work, jonas kaufmann offers a programme of late-romantic Italian opera arias. Read more falstaff at Glyndebourne falstaff is never easy. Read more midsummer Nights For this book, under the editorial baton of jeanette winterson and published to celebrate Glyndebournes 75th birthday, 19 writers have each chosen an opera and written a short story from its music or its characters, its plot or its libretto '. Mary jo heath, while growing up in Norman, oklahoma, mary jo became what she calls a jack of all musical trades. . She played piano for everybody as well as clarinet in band, orchestra, and pit orchestras, learned to play a little on a lot of different instruments, sang in choir, performed various roles in operas, and worked as Music Director for a small opera company. .
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Read more a midsummer Nights Dream, eno few dreams are entirely good, and no staging that does justice to a midsummer Nights Dream—Shakespeares or Brittens—is wholly without a sinister aspect. Read more norma, zurich Robert Wilsons new Norma for Zurich Opera brings Bellinis tragedia lirica in due atti into the cyber age. Its a prime example of his abstractionist, formal theatre. Read more Armida, rossini (DVD) This is the live performance of, already seen in selected cinemas and now issued for wider circulation. It came a fortnight after the performance martin Bernheimer reviewed (June 2010,.
724-5) with minor cast adjustments read more barcelona not far from the legendary site of the mountain castle of Montsalvat, barcelona boasts a close connection to parsifal. It has not always been a savoury one—the catalan obsession with Wagner and this work in particular spilt over in the 1930s into a n read more Anna nicole, covent Garden Mark-Anthony turnage, now 50, came to prominence with Night Dances (1981). His first opera was Greek (Munich, 1988). The director throughout has been david McVicar. Read more giulio cesare, paris Natalie dessays repertoire seems to be in a state of flux. Although she recently returned to lucia di lammermoor at the met, her first Cleopatra perhaps suggests a realignment of priorities. Read more la traviata, the metropolitan wallpaper Opera la traviata has long been the exclusive property of Franco zeffirelli at the metropolitan Opera.
Read more The queen of Spades, Opera north at the Grand Theatre to judge from newspaper reports and indeed from travellers tales, jeffrey lloyd-Roberts was not in sound vocal health on the first night, which must have caused general nervousness within the company. Read more hong Kong and Macau exciting though it was to witness the premiere of huang ruos Dr Sun Yat-sen, given by Opera hong Kong at the hong Kong Cultural Centre, that had not quite been the agenda when I made my travel plans. Read more Il trittico, covent Garden The royal Opera and its audiences could scarcely have hoped for a stronger opening to the season. Puccini always brings out the best in Antonio pappano. Read more bayreuth It was business as usual for the 100th bayreuth Festival: the directors Katharina wagner and eva wagner-Pasquier are doubtless saving their thunder for the 200th anniversary of their great-grandfather's birth in 2013. Read more salzburg Now that die frau ohne Schatten has come into vogue in opera houses across was both natural and overdue for the salzburg festival to be reconnecting with a work that has featured there very intermittently.
Read more cendrillon Cendrillon is a delicate bloom needing tender care. Even among paid-up Massenet-istes it is something of a connoisseurs score, and very difficult to bring off with its combination of melancholy and fairly broad humour. Read more aix-en-Provence The festival dAix-en-Provences new la traviata was (apart from the orchestral contribution of the london Symphony Orchestra) a very French affair. The welcome speech by Anthony Whitworth-Jones, the companys general director, hinted that day one had proved something of a trial. Read more disc of the month: Moses und Aron, Schoenberg Moses und Aron is one of musics impossible objects. Composed in the early 1930s shortly before Schoenberg fled from the rising threat of nazism, the opera—itself seemingly in a permanent state of flight—rests on conundrums.
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Aleksandra kurzak has much to be joyful about, and as befits the title of her first solo disc for Decca there is a definite smile in her voice. Read more new York In the good old days-also the not-so-good old days-the metropolitan opera rang out the old year with the would-be frivolity of Johann Strauss's die fledermaus. Read more warsaw Z dorobkiem Stanislawa moniuszki jest w Polsce spory problem'-The legacy of Stanislaw Moniuszko is a big problem in Poland'. Read more south Africa can there be such a thing as an authentic Lost in the Stars? Based on a south African literary classic, written by a german-Jewish pelleas composer and premiered in New York, its pedigree takes some unravelling. Read more cd review: Mariusz Kwiecien—Slavic Heroes In the Editor's booklet notes Kwiecien says that his idol is piero cappuccilli, and it shows, not only in the warmth and beauty of his tone but also in a command of seamless legato that in no way. Read more Ireland: Wexford Last autumn saw the 60th-anniversary wexford Festival. What would the legendary Dr Tom Walsh, who founded it all those years ago, think about what has happened to his creation?
Read more, elektra, richard Strauss (CD reviews what a contrast these two Elektras make. The musicality and dramatic commitment Eugen Jochums Hamburg set (studio recorded in June 1944 under what, answers to put it mildly, cant have been the easiest circumstances) shine through the limitations of war-tim. Read more, cape town, the English Masque is a curious musical animal, and Purcells semi-opera The fairy queen (March 30 at the joseph Stone auditorium) particularly. La scala has fared rather well with new productions this season, with Robert Carsens Don giovanni and Claus Guths Frau ohne Schatten followed by two further successes, richard Joness Peter Grimes and Mario martones luisa miller. After a rain-truncated dress rehearsal—and months of chaotic summer weather—Opera australias first venture into large-scale outdoor performance opened on Sydney harbour. Read more Amsterdan having seen most of the productions of Rimsky-korsakovs The legend of the Invisible city of Kitezh and the maiden fevroniya that have followed since valery gergiev reintroduced this mystical masterpiece to a very wintry St Petersburg in February 199 read more birmingham. Read more dallas dallas operas Tristan und Isolde (seen on February 16) may have outdone even last seasons Boris Godunov as the companys most imposing performance in the dozen years ive been reviewing its productions. Read more The tales of Hoffmann, eno a long, long evening, three-and-a-half hours in the theatre, never for a minute boring but in the end curiously unsatisfying. Read more Aleksandra kurzak—gioia!
courtesy of London 2012. Clocking in at a little under two hours (including rehydration at half-time dr dee. Read more, fort Worth, fort Worth Operas double-pronged experiment—mixing a generous portion of the new with the old, and presenting both in a festival setting—is proving a surprising success. The most remarkable confirmation of that was this yearspresentation of Mark. Read more, treemonisha, joplin, treemonisha arguably ranks high on the list of operas still awaiting a proper reckoning. Laudably, it is the intention of this New World Records release to create the circumstances for just such a revaluation. The project has taken some two decades. Read more, julietta, english National Opera at the london Coliseum, september 27 by john Allison.
Read more, berlin: szenen aus goethes faust, the renovation of taxi the staatsoper has been one of Berlins ongoing sagas since, and even before, the house was closed for major repair work seven years ago. Dresden - henze's 'we come to the river'. In 1976 at covent Garden, i was at one of the first performances of Hans Werner Henzes massive, multi-layered war opera we come to the river. Some 36 years later, in Dresden on September 13, i attended the first night of the semperopers new product. Read more, mozarts Don giovanni (Juan)—a film by kasper Holten. The title of this new film of Don giovanni immediately tells us what a slippery operatic object it is: its mozarts, its a film by kasper Holten, its Don giovanni, its juan. Clearly were supposed to leave any preconceptions about Don giovanni. Read more, the Importance of being Earnest, for his previous opera, the bitter tears of Petra von Kant (premiered at English National Opera in 2005 gerald Barry set every single word. Read more, vienna, visiting the Staatsoper can be a bit hit and miss.
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Zurich: Juliette, julietta or Juliette? The discovery in 2003 of a french version of Bohuslav martinůs masterpiece—the work of the composer on his deathbed—was further evidence of how the opera had haunted him throughout the 21 years that separated its premiere. Read more, berg: Lulu (dvd review despite Krzysztof Warlikowskis quirky production, this Lulu is irresistible because of Barbara hannigans performance of the title role. Read more, rOH: King Roger, so, just what is Karol szymanowskis byzantine sicily-inspired mysterium all about? Read more, a vision of voices (book review). John Crosby, the founding general director of The santa fe opera, inaugurated the company in 1957 and guided it for more than four decades. Read more, amsterdam: Lulu, one of the contradictions of Alban Bergs great masterpiece lulu is that the opera is almost too long for keeping alive an audiences sustained interest, and at the same time almost too short for being so crammed with radically condensed action.